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Here’s a new poster for the upcoming 3D film Resident Evil 4: Afterlife starring Milla Jovovich, Ali Larter and Wentworth Miller. In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Jovovich) continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation [...]
I'm not that superstitious, so I'm going to write it: I think "The Sorcerer's Apprentice" might end up being the surprise of the summer. Right now, I'm getting a real "Curse of the Black Pearl" vibe from it. Remember back in the pre-Jack Sparrow days when a movie based on a Disneyland ride seemed like the stupidest idea for a live-action film ever? Then, you know, we saw it?I'm thinking that "The Sorcerer's Apprentice" might go the same way. It's an adaptation of a part of "Fantasia" and we're all getting head-faked into thinking that "Prince of Persia" is going to be that live-action breakthrough. But, I don't think it is. I think a wizard fight between Alfred Molina and Nic Cage is 100x cooler than anything Jake Gyllenhaal will ever do. Ever.The only thing working against the movie right now is that it opens against Chris Nolan's "Inception," but that's only a problem for people who only see one movie a month.Coming Soon grabbed the first teaser poster for the flick (click it to see the full thing), but...I like it?I LIKE it?That feels weird to type. Source: Coming Soon
Paramount Pictures has unveiled new high resolution photos from one of the most anticipated movies The Last Airbender. The live-action feature film based on the hugely successful Nickelodeon animated TV series Avatar: The Last Airbender and written, directed and produced by M. Night Shyamalan stars Noah Ringer, Nicola Peltz, Dev Patel, Jackson Rathbone, Shaun Toub, Aasif [...]
Paramount Pictures and Apple have unveiled a two-minute clip from the upcoming highly anticipated Iron Man 2 movie, set to hit theaters on May 7th. Iron Man 2 will follow billionaire inventor Tony as the world is aware that he is the man behind the armored Super Hero Iron Man. Asked to share his technology, Tony [...]
Summit Entertainment has provided LatinoReview with the poster from the third chapter in the Twilight franchise, “The Twilight Saga: Eclipse” starring Kristen Stewart, Robert Pattinson, Taylor Lautner, Dakota Fanning, and Anna Kendrick. The film is directed by David Slade, based on the novel “Eclipse” by Stephenie Meyer. Film is due out to hit theatres on [...]
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I love old movies. Most people in and around the film industry do. There’s something magical about black and white cinema, and otherworldly, even, about silents. It’s perhaps no surprise, then, that Hugo and The Artist, two recent films that celebrate vintage movie-making, have won so many Oscar nominations, scoring 11 and 10 respectively. While there’s much to appreciate in Hugo, it’s frankly ludicrous, bordering on grotesque even, that’s it’s the most nominated film of the year. And much as I loved The Artist, come on, isn’t it just the teeniest bit gimmicky? Is it truly deserving of this much praise and honour? Or it all just nostalgia?
Overall, I have to say, this year’s Oscar nominations are an absolute sham. I mean, why nominate nine movies for Best Motion Picture, when everyone knows it’s a two-horse race between the aforementioned runners? Also, why is Moneyball nominated for anything? Is Meryl Streep’s admittedly gifted performance as Thatcher really the best performance we saw all year, because I remember, back in the Eighties, many actors and comedians impersonating Maggie without reward or recognition. Amusing though she was, Melissa McCarthy pooing in a sink hardly seems to qualify her for a Best Supporting Actress nod for Bridesmaids. And what madness saw Spielberg’s Tintin: The Secret of the Unicorn left out of the running for Best Animated Feature?
It feels to me that this year, the Oscars have totally dropped the ball. Focused on all the wrong things. I can’t believe that Scorsese might win Best Director for Hugo, when he was nominated but didn’t win for the likes of Raging Bull and Goodfellas. Truly, the list of my gripes goes on and on, but here I’ll stop and get on with the real business of this blog, namely reviewing this week’s releases, starting with five-time Academy Award nominee The Descendants. Welcome to Cinemascape!
The Descendants (15)
A couple of times every year a polished American indie comes out that’s smart and polished, authentically dramatic and, when appropriate, amusing. Emotional too, but not sentimental and with enough edge and self-awareness to please even the most cynical and demanding of sorts. Films like American Splendor, The Daytrippers and Little Miss Sunshine, also Juno, The Kids are Alright and, from director Alexander Payne, Sideways. Joining this illustrious list is The Descendants, also from Payne, an offbeat comedy drama which is just so darn likeable, watching it feels much the same as hanging out with a good, old friend.
Affable, talented and ridiculously handsome, George Clooney is something of a renaissance man, adept at pretty much everything he turns his hand to (except playing Batman), a critical and commercial success. By all accounts, as a Brit, I should loath him, but what can I say? He’s Gorgeous George. The Cloonmeister. Like everyone else in the world, I can’t help but love the man.
Does Clooney deserve, though, his Best Actor Oscar nomination for The Descendants? He’s certainly very charming and charismatic in the role, believable and relatable too, which are all good things. It’s not a big, noisy, obvious performance. He neither chews the scenery nor delivers weighty, clip-worthy soliloquies. It’s more a read-between-the-lines bit of acting, expressive and real with lots of memorable bitter-sweet moments. So yes, I guess, he deserves his Oscar nom. Certainly more than Moneyball’s Brad Pitt. Odds are, George’ll win it too, though I don’t believe the role was a particular stretch for the actor/star.
The story of an eccentric and largely absent family man, Matt, who discovers that his wife, currently in a coma after a boating accident, was unfaithful to him, The Descendants focuses on Matt’s efforts to locate and confront the guy who slept with his wife, a quest that, more importantly, sees him reconnecting with his mildly estranged daughters at the time they need him most.
Besides Clooney, acting of note comes from Shailene Woodley and Amara Miller as Matt’s headstrong daughters, Alexandra and Scottie, Nick Krause as Alexandra’s doofus of a boyfriend, Robert Forster as Matt’s disapproving father-in-law and Beau Bridges as his laid-back cousin. Strong characters, well-crafted relationships, snappy, insightful dialogue and an unfussy yet involving plot combine under Payne’s thoughtful leadership to produce not a showy film, but a good one. Actually, a very good one. I wouldn’t necessarily say it’s the best film of the past twelve months, but I’d sooner see it win over Hugo, and many other films besides.
Also at the Cinema…
A drawn out yet sporadically exciting survival thriller from Narc director Joe Carnahan, The Grey (15) sees tough-as-nails beastmaster Liam Neeson leading a ragtag team of plane crash survivors through the Alaskan wilderness. Relentlessly pursued by enormous, ravenous wolves, sometimes they run and sometimes they fight but all too often, they just stand around and talk… From Shark Director Bibo Bergeron comes the equally acceptable A Monster in Paris (U), an uneven animated blend of charming highs and bland lows. Forgettable for sure, but fine in a pinch.
The intoxicating pleasures of young love and the heartbreaking pitfalls of long distance relationships are the themes explored in Like Crazy (12A), a passionate and well played romantic drama starring Anton Yelchin and Felicity Jones… Finally this week, Clive Owen takes the lead in brainy chiller Intruders (15), a psychological horror flick that’s more intriguing than terrifying but will keep you guessing until the very end.
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Added on 27 January 2012
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Release Date: 17 February 2012
Genre: Action | Adventure | Thriller
Cast: Roselyn Sanchez, Emilio Rivera, Nestor Serrano
Directors: Mike McCoy, Scott Waugh
Writer: Kurt Johnstad
Studio: Relativity Media
Plot:
An elite team of Navy SEALs embark on a covert mission to recover a kidnapped CIA agent. |
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| Time: 02:09 | More in Gaming |
